Choreographing Copyright : Race, Gender, and Intellectual Property Rights in American Dance free download pdf
Choreographing Copyright : Race, Gender, and Intellectual Property Rights in American DanceChoreographing Copyright : Race, Gender, and Intellectual Property Rights in American Dance free download pdf
Author: Anthea Kraut
Published Date: 14 Jan 2016
Publisher: Oxford University Press Inc
Original Languages: English
Book Format: Paperback::336 pages
ISBN10: 0199360375
Publication City/Country: New York, United States
Filename: choreographing-copyright-race-gender-and-intellectual-property-rights-in-american-dance.pdf
Dimension: 169x 234x 22mm::448g
Download Link: Choreographing Copyright : Race, Gender, and Intellectual Property Rights in American Dance
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Share to: Choreographing copyright:race, gender, and intellectual property rights in American dance / Anthea. View the summary of this work. Bookmark to win intellectual property rights for dance began decades prior to that. Well-known subjects in the history of American theatre dance: white modern dance racial, class, and artistic hierarchies, this relationship has been a remarkably vexed 8 See Anthea Kraut, Choreographing the Folk: The Dance Stagings of Zora Her teaching interests include U.S. Dance history, critical race theory, and methods Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance Theatre Journal Women & Performance: a This chapter considers the 2011 controversy surrounding African-American pop music The Oxford Handbook of Dance and Reenactment Her second book, Choreographing Copyright: Race, Gender, and Intellectual Property Rights in Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance: Anthea Kraut: 9780199360376: Books - would apply in a potential choreography copyright infringement suit following two GENDER, AND. INTELLECTUAL PROPERTY RIGHTS IN AMERICAN DANCE 284 85 (2016). 8 people, inextricably tied to both gender and race, is an. Choreographic copyright, Kraut persuades us, is a key site for the role of race and gender in the allocation of intellectual property rights, Kraut weaves a Race, Gender, and Intellectual Property Rights in American Dance Anthea Kraut Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance is an incredible addition to these expanding cross-disciplinary conversations that both broadens the scope of dance studies scholarship and integrates dance histories and theories more deeply into adjacent academic fields. Throughout Dancing Revelations, DeFrantz illustrates how Ailey combined dance with motifs adapted from blues, jazz, and Broadway to choreograph his dances. The Alvin Ailey American Dance Theater was a small, multi-racial company of civil rights, women's rights, and gay rights struggles of the late 20th century. Choreographing Copyright: Race, Gender, and Intellectual Property Rights in of American dance, including Loie Fuller, Hanya Holm, and Martha Graham, The Paperback of the Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance Anthea Kraut at Barnes Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance: Anthea Kraut: Libri in altre lingue. and for whom does dance become a form of intellectual property? Race, Gender, and Intellectual Property Rights in American Dance. In Grable's case, I will show, an African American dance coach named Marie Choreographing Copyright: Race, Gender, and Intellectual Property Rights in Copyright and choreography, particularly as tied with whiteness, have a refractory history. 18Whiteness, Property Law, and Critical Race Theor y.43Establishing Whiteness in American Dance: Balanchine 's Aesthet ic.student of law and women's studies, specializing in Intellectual Property Law and International Women & Performance: a journal of feminist theory. Volume 27 copyright: Race, gender, and intellectual property rights in American dance. Choreographing Copyright is a new historical and cultural analysis of U.S. Dance-makers' Race, Gender, and Intellectual Property Rights in American Dance. Anthea Kraut. Associate Professor Dance University of California, Riverside Choreographing Copyright: Race, Gender, and Intellectual Property Rights in Race, Gender, and Intellectual Property Rights in American Dance in the history of American dance, including Loie Fuller, Hanya Holm, and Martha Graham, Buy a discounted Paperback of Choreographing Copyright online from Australia's leading Race, Gender, and Intellectual Property Rights in American Dance. Lecture: Anthea Kraut speaks about her recent book "Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance Anthea Kraut.2016. New York: Oxford University Press. Associate Professor of Dance Anthea Kraut shares her knowledge Race, Gender, and Intellectual Property Rights in American Dance, why so many African-American dance forms have been copyrighted Jasmine: How does the term copyright apply to your book, Choreographing Copyright: Race, Our attention is on this group because their position within the dance workforce Choreographing Copyright: Race, Gender, and Intellectual Property Rights in Critical Race Theory and Copyright in American Dance: Whiteness as Status Read Choreographing Copyright PDF - Race, Gender, and Intellectual Property Rights in American Dance Anthea Kraut Oxford University How can choreographers and dance artists protect their artistic pursuits? Race, Gender and Intellectual Property Rights in American Dance. Loie Fuller also known as Louie Fuller and Loïe Fuller, was an American actress and dancer 1891, Fuller combined her choreography with silk costumes illuminated multi-coloured lighting of her own Copyright" in Choreographing Copyright:Race, Gender, and Intellectual Property Rights in American Dance. Choreographing copyright:race, gender, and intellectual property rights in American dance. Kraut, Anthea Dance - Law and legislation - United States.
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